examples of museum labels

Labels should aim not to dominate over the objects they are placed alongside. Increasingly, labels in non-English-speaking countries have labels in English as well as the main local language, and in some parts of the world, labels in three or more languages are common. Be aware of audience fatigue and use a 70-80 word count on individual artwork labels and 100-200 words for introductory panels. Museum goers will be interested to know, for example, if an anchor in your collection was recovered from a shipwreck in the Marshall Islands, but do not need to know the name of the ship’s captain. That objects in a museum cannot speak for themselves is nothing new. Labels for exhibits - about artists and/or paintings - in an exhibition are necessary. As Low as $3.00 EA in QTY. The labels are the submitted (with all comments, edits and suggestions) to the Europe Concept Team who sign-off of the label text and pass it on to the Assistant Editor working on the Europe Galleries. What is a Label? Read our, Creating the new Europe 1600–1815 Galleries, http://www.vam.ac.uk/content/articles/v/v-and-a-podcast-europe-galleries/, IHR Wohl Library Exhibition Competition | History Lab Plus, The importance of labelling – jaquelinacht, The materials and techniques used to make it. They help us to avoid the glitches that can occur when objects, labels and design come together for the first time, during the installation of the galleries. Children and families – use labels containing active prompts to encourage looking and responding to the displayed objects or artwork. Museums & Galleries of NSW helps small-medium museums, galleries and Aboriginal cultural centres create exciting experiences for visitors and, through this, thriving local NSW communities. 200+ labels per year and shrinking attendance. This includes categories such as: Some object labels will include further text providing more detailed information or descriptions. When incorporating these forms of technology consider the impact of sound and light bleed. These show the V&A approach and all curators are expected to refer to it. Thematic Labels: Use artifact labels to present specific themes. The most basic form of label is printed information on adhesive paper mounted on card or foam board. This is a long and involved process but it helps ensure that any inaccuracies or confusing phrases are noticed and amended – and also that there is consistency through the suite of galleries. 3d Design Graphic Design Museum Art Gallery Museum Displays Space Museum Wayfinding Signage Museum Exhibition Environmental Design Design Museum Museum Exhibition Design Exhibition Display Design Museum Signage Design Brochure Design Hall … Image: Perc Tucker Regional Gallery. For other signage including the masthead, exhibition title signage, and large introductory panels, capture the audience’s attention by using large print vinyls which offer good visual qualities. It includes the text provided at the entrance to the suite of galleries and to each individual gallery, where we establish the overarching themes presented. The truth is, there is no single standard format, though most labels include the same key elements. There’s no comparison between a museum exhibit card created with a custom dry transfer versus one from a laser printer.… Museums & Galleries of NSW is supported by the NSW Government through Create NSW. Lucy Trench also runs training sessions for young curators, or those who need a refresher to prepare themselves for major projects. The Europe Galleries will also include films, audio-trails, activity areas and digital apps [more details of which will appear in future blog entries]. One of the museum field’s leading consultants and label writers, Serrell has expanded upon her earlier book, Making Exhibit Labels, which has been a standard in the field since its initial publication. The label for this bird organ was also reworded to avoid references to ‘bird organs’ conjuring up the image of a bird’s innards! Subscribe to our email newsletter, to keep up to date on new jobs, industry updates, funding opportunities and more. This film takes you behind-the-scenes of The Masquerade interactive film, and the extraordinary group of people that helped create it. The space available in each display case determines the number of labels that can be included and how much description they receive. The curator overseeing the gallery that the display is in (the Gallery Parent) then collates, checks and edits the text for all of the displays in their gallery. I won’t delve into the thorny topic of ‘label style’ debates here, but will instead provide a brief overview of the process we have used to produce the label text for the Europe Galleries. It also embraces the text used to introduce each individual display and the labels accompanying each object. Those cliques were really just made up of people who were labeled a certain way and then grouped together. Adhere small mounted labels with Bluetac or similar easy to remove product. The Milwaukee Art Museum always uses the Weiss Antiqua font. The National Park Service never uses fonts smaller than 24 points in their exhibits. In his classic book Interpreting our Heritage, first published in 1957, Freeman Tilden defines interpretation as ‘an educational activity which aims to reveal meanings and relationships’. Meanwhile an image of a more unique museum label, like the Cole House label, shows readers that museums can and do go beyond the norm of a square/rectangular, black-and-white printed text label. 18-21.) Text example: Aboriginal ArtBrief: Put together a display of the Museum’scollections of Aboriginal art in this space. Place these at centralised seating points with increased lighting which reduces the need to stand for long periods of time in front of artworks. This helps to ensure that there is consistency of style, tone and terminology. The display’s Subject Parent, the Europe Galleries Concept Team, Educators and Assistant Editor all attend so that any changes can be discussed there and then. This post tells you how I make labels for the wall of an art exhibition. Had about 30 good examples from northern Australia, but little from the South.• If you are really interested in museum fonts, check out the Museums tag over at Fonts in Use to see which fonts are currently being used in museums. Over at Hyperallergic this week, I had an essay come out that was about four months in the making. Personalized museum and show room placards for your gallery displays. The purpose of in-situ text is to help provide key information and help increase visitors’ understanding of the objects and subjects in museum displays. The AMLABEL Digital Gallery Display is an editable, wireless museum label developed on Visionect's electronic … Find inspiration in our incredible range of exclusive gifts, jewellery, books, fashion, prints & posters and much more... © Victoria and Albert Museum, London, 2020, We use cookies to enhance your experience on V&A websites. Each Subject Parent then writes up the first draft of label text for their display.NB: Although an individual creates the first draft, the writing of labels is very much a collaborative process. Each object label will provide at a minimum what is known as ‘tomb-stone’ information – short factual information about the object and its creation. Laying out the label text in an approximation of the display arrangement allows us to experience and get a clearer idea of how it may be read and understood by visitors to the gallery. These may be single use as vinyl stickers or made more durable for long term use as printed photo paper with laminate mounted on boards such as Forex. 15. Indeed, we are doing so, even before the cases and walls, to which they will be fixed, exist! My interests are wide-ranging but subjects I have particularly enjoyed exploring for this project include:... I’ve read this article before and noticed a few places which might need adjustments. Consistency of font, text size, spacing and type assists audiences in digesting information. Image: Sharpshooting, courtesy Nautilus Art Centre, Port Lincoln. If there is a name change, a new label is The use of labels in museums and galleries is a widely debated topic and there are numerous publications, articles and websites that propose and discuss the ‘best methods’ to use when writing labels. We need to bear in mind constantly that it is impossible to predict from which direction visitors will approach a display and which labels they will choose to read or not read. The flow of information should build a narrative or develop a learning experience for the audience. Think about providing related video material such as interviews or documentaries which screen in situ in the exhibition space. Additional text may be needed to explain exactly what a particularly unusual object is or how it was used. For example, Arial may work well for 6-year olds, while Garamond may better suit 45-year olds at a conference exhibition. Information panel and individual artwork label. Varied language groups – Dual labels which include basic information in two languages can open access to audiences identified as a strong group for an exhibition. Select information that provides contextual significance about the object and its place in the exhibition. Basics of touring an exhibition, The J Paul Getty Museum The Lead Educator for the Europe Galleries then checks through the text before it is circulated it to all of the people mentioned above for final comments. label. We don’t run museums, galleries and cultural centres but we care about those who do. Equally important is the typesetting that you use. Jun 28, 2017 - Explore Anne Hromadka: Curator & Consu's board "Museum Labels (Design + Interactive)" on Pinterest. There are numerous methods that that can be used to provide additional layers of interpretation in galleries. You can hear Lucy Trench speaking in more depth about the importance of gallery interpretation in relation to the Europe Galleries in this podcast http://www.vam.ac.uk/content/articles/v/v-and-a-podcast-europe-galleries/. 7. Introductory panel and individual artwork labels can be seen in this view. Peruse the sites listed below for some good examples. Labels will appear in the gallery without an author’s name, which helps remove any sense of an individual having sole ownership over their content. Vinyl. Visual cues or symbols help connect sub-themes and provide quick identification of other sources of information such as for audio guides or children’s labels. Same Object, Different Voices: Write the labels using the voice of the museum expert, the person who made the Below, I have expanded on some of the specifics, as well included more examples of artwork labels. We develop their skills, connect them with others in the industry, provide funding, point visitors their way, and give them access to ground-breaking exhibitions. Distilling large amounts of detailed information or research about an object into a succinct, relevant, interesting and widely-accessible label can be a complicated, tricky and at times frustrating task. The use of labels in museums and galleries is a widely debated topic and there are numerous publications, articles and websites that propose and discuss the ‘best methods’ to use when writing labels. Minneapolis Institute of Arts 5. Frances Young Tang Teaching Museum 3. Labeling Ethnographic Objects by Helen Alten (as published in the ICOM Ethnographic Conservation Newsletter, Number 17, April 1998. pp. It might sound slightly surreal but we have also undertaken mock-ups of the labels for some displays. We can’t assume that visitors will read all of the labels preceding a certain object so information needs to be clear without being repetitive. For large scale exhibitions with an overarching narrative a label hierarchy is useful to break up information into digestible sections. There was a time when the labels and texts in museum shows were matter-of-fact explanations—the artist, title, date, medium, and then a few informative words … Think back to high school and all the cliques that exist there. Often galleries and museums will use vinyl to display an artist’s name and / or the title of the show near the entryway. Another bullet reads, “The Lead Educator for the Europe Galleries then checks through the text before it is circulated it to all of the people mentioned above for final comments.” I’d suggest removing the second ‘it’ and ‘of.’. A museum label, also referred to as caption or tombstone is a label describing an object exhibited in a museum or one introducing a room or area. There is currently a hive of activity as we finalise the label text for each object and display. Tynan’s label for the Chawan Tea Bowl. Museums & Galleries of NSW Could be done with a QR code. Sample labels and rubrics for evaluation were provided to attendees, as well as take-home reference materials to extend the learning experience beyond the conference session. For captions, you might consider increasing the word-spacing and line-spacing over what you use for other texts, because 14) Fill in the fields on the label using an indelible archival pen. Exhibitions and Display Basics. More than seventy six, 000 performs are currently available on the web. Alternatively extra information about one particular object may provide useful further context for the rest of the display. An example might look like this: An introductory panel to the exhibition – themed labels for each room – individual artwork labels. Labels with a … Keep the order of information consistent and include key things of interest about the artwork to give important story line information. Visual cues or symbols help connect sub-themes and provide quick identification of other sources of information such as for audio guides or children’s labels. It's really about museum labels, and not the items being displayed, so if the label itself has interesting typography, efficient infographics, clear or confusing labelling or interpretation. The Walker Art Center 4. The V&A has its own set of text guidelines, which you can read here [V&A Text Guidelines]. 3 Label Script Guidelines Steps in the Label Script Process 1. 13) Having written the catalog number onto the specimen, specimen labels should be prepared. Childproof and wheelchair friendly. Highlight each individual object with a label that includes the bare facts. The online presence of information and links to resources is often the first and last point of reference for gallery visitors prior and post visit. Beverly Serrell presents the reader with excellent guidelines on the process of exhibit label planning, writing, design, and production. Place these labels at a lowered height line and include symbols to create a way of leading the audience through the exhibition. A good title should clearly introduce the topic and content of the exhibition, but at the same time it should be sufficiently distinctive to spark potential visitors’ curiosity. Consistency of font, text size, spacing and type assists audiences in digestin… Each Subject Parent (the person who has led the development of a display’s contents) meets with our Assistant Editor Susanna Haddon to discuss which objects would most benefit from additional text and how the space available for labels could be most effectively allocated. However, the fundamental form of interpretation that visitors expect to be present within galleries is in-situ text. Many people have been shown to retain information better when they use a combination of senses and learning approaches. Text sizes should be increased if audiences are standing further than 1 metre from labels. 1. Text for exhibit labels should be friendly, but still speak with authority. The following visitors might benefit from varied labelling, a labelling hierarchy or visual cues and symbols: The layout and placement of labels in relation to a logical walking path is also very important. Double-sided Velcro tape will support heavier labels however this can mark walls when removed. To help promote excellence in museum exhibition writing, museum professionals from around the country were invited to submit examples of their exhibit-related writing that was juried by a panel representing four AAM standing professional committees: CARE, EdCom, NAME, and CurCom. Depending on personal beliefs, this particular label is one that can have a big impact. Black text on white, cream or clear background is best for legibility however it’s good to reassess this if the wall colour or lighting may be different for a particular exhibition design. Examples of Big Ideas Farming has changed over the years. Complete Guide to Adult Audience Interpretive Materials: Gallery Texts and Graphics, Australian Museums and Galleries Australia Association (Victoria) Here is an example: Vincent van Gogh The Starry Night, 1889 Oil on canvas 73.7 cm × 92.1 cm (29 in × 36¼ in) Below are some options for professionally labeling your artworks in an exhibition setting. Examples of Artwork Labels | The Practical Art World. Choose one of several sizes of labels; the label should be able to fit in the outer box in which the specimen is housed. Audio guides or interactive devices such as touch screen monitors or ipads, which allows the audience to select information according to personal preferences, can provide enriching narratives. Gallery tools such as seating, temporary walls and lighting can also assist in affirming a direction for the audience or breaking up a space if needed. The production dates for some objects could be amended to be more precise following recent research discoveries. Pay attention to the quality of translation and use professional interpreters where possible. In-situ-text is the term used to refer to all text that will be provided for visitors in the galleries – on walls, in cases and on plinths. Art Gallery Plaques. Lucy Trench (Lead Educator for the Europe Galleries) describes succinct, focused in-situ text as ‘the bedrock of interpretation’. Multiple sizes available. Labels within an exhibition should all be the same size unless there is need for longer, explanatory text. museum texts complement other forms of interpretation, acting as labels for interactives, signposts and orientation devices and instructions museums have visitors: all kinds of people with a wide variety of learning styles and interests are motivated to visit museums for a range of reasons History shows that the earliest written explanations of exhibits on display date back as far as 530 BCE, when clay cylinders in different languages were used to accompany the artifacts in the Ennigaldi-Nanna’s museum of Ancient Ur. An example might look like this: An introductory panel to the exhibition – themed labels for each room – individual artwork labels. Content Development and Writing: Curatorial and CEPS staff work with Exhibits, Education, and other Museum … Alternatively, provide foreign language audio guides, interpreted room sheets or tailored tours with an exhibition guide. Knowing which audience groups your labels may not communicate effectively with is very important. These offer flexibility for specific size requirements, large batch printing, and present better graphic qualities for printed information. Additionally, we discuss how recent visitor research has informed the development of museum-wide standards for the writing, design and display of interpretive texts at MoMA. The words on explanatory labels will, however, govern what many museum visitors see. Explanatory labels can work very well (examples below). I am an Assistant Curator working on the development of the new Europe 1600-1800 Galleries. Studies suggest that certain fonts such as Helvetica Regular, Verdana and Arial in a size of least 18 points are the easiest for the eye to comprehend for text based information. Writing gallery and label text is very different from writing books or scholarly articles. Effectively • Design Tips • Making a Label • Resources. Ensure the label level and placement is consistent across the exhibition and that audiences are not required to bend or adjust their posture to read. This group is concerned with the way exhibits are labelled in museums, galleries and exhibitions. See more ideas about Museum, Interactive, Labels. Of course museum labels should not be designy, over-produced, and self-conscious, as if the designer is competing with the art and the museum architecture. This helps us to assess how well the labels’ ordering of information works: for example, if any technical terminology is clearly explained before it is referred to in a later nearby label. For large scale exhibitions with an overarching narrative a label hierarchy is useful to break up information into digestible sections. The labels are then circulated to the different collecting departments (e.g. Most museums have very specific guidelines for text labels. Research suggests that audiences will turn left unless directed to do otherwise. Text example: Aboriginal Art• Object selection dictates interpretive focus not vice versa. Discover everything regarding the Nederlander Marine Corps in the Museum Label Template in Rotterdam. Staff are still contactable via email and mobile.Â. Tynan used Bitter, a free Google font. The text is then submitted to the designer who will create the final label design. Keep in mind and ensure that labels are placed on the side of the artwork which will be approached first. Both labels have stereotypes that come along with them. A standing read time of 10 seconds is also the average time given by audiences to any one label, so once you have written it, test it to know the most important information is included. This is fascinating. Our growing collection has almost 2 hundred, 000 functions of modern and contemporary art work. We pay respect to them as First Nations people with continuing connection to land, place, waters and community. I have written a previous post on the subject, How to Label Artwork in an Exhibition. to ensure that all the information is correct, clear and reflects any recent discoveries they may have made when researching the objects. I’m sure many of the curators would appreciate the sentiments of this label! For example, ask students to select artifacts and write labels to show how different cultures fulfilled similar needs, such as clothing, eating or furnishing their homes. Museums & Galleries of NSW acknowledges the Gadigal people of the Eora Nation and all the other Traditional Custodians of the lands on which we live and work. It also allows us to consider if we have made best use of the label space and where contemporary quotes or imagery could be effectively included in the label strips. Technology increasingly provides new ways to communicate exhibition information. Finally, there is a paragraph which starts, “This is a long and involved process…and also that there is consistency through the suite of galleries.” I’m unsure “and also” reads easily. However some artists find them a bit of a challenge to produce and or treat them as an afterthought. The most standard information included on artwork labels is: 1. Tags Tag and tie options Surface applications Labels Applying a barrier coat Applying the number Top coat Conclusion Books and products we recommend Links to related information The diversity of materials that comprise ethnographic One suggestion I would like to make is that – where possible – display cases also have a card for ‘bibliography’ or further references if a visitor would like to investigate further or find out more. Download M&G NSW Resource - Exhibition Labelling (printer friendly version), Complete Guide to Adult Audience Interpretive Materials: Gallery Texts and Graphics. Laminated or vinyl printed labels can be sourced through external printing companies. Place labels between eye-level at 150cm to a lower height of 1m and within close proximity to the artwork they reference. These sessions have proven to be really useful. Hang all labels at the same height and use a level to make sure they are parallel to the floor. The Perlman Teaching Museum 2. With over a year until the Europe Galleries re-open, it may come as surprise to learn that we are already nearing the final stages of editing and confirming the text that will appear in the galleries. In situ technology – video material, audio recordings or interactive devices such as ipads or touch screen monitors makes it easy for audiences to choose how they prefer to engage with exhibition information. Include custom text, logos at no additional cost. One bullet begins, “The labels are the submitted….” I suspect that ‘the’ should be ‘then.’ And, ‘of the label’ might be better as ‘on the label.’ Perhaps it’s just my way of speaking. How museum labels provoke reactions. Your label will be read by people without any prior information and by those who are well versed on the subject, so choose language that is clear, concise, integral and avoids jargon. Interactive prompts such as QR codes may help in making a connection between the immediate exhibition and online content, however these should not take precedence over other standard forms of label information. Groups with accessibility issues – provide large print text on portable information sheets for elderly, visually impaired or less mobile audiences. Large sculpture may require that you place a label on the nearest wall or floor. Labels: Layout Label example … Place object labels to the right if at all possible. Please note that all M&G NSW staff are working from home. To cite materials posted at a museum, use the following style: Format of information (wall text, object label, brochure), Gallery Name, Number or Exhibition Title, Museum Name, City, State. Metalwork, Ceramics etc.) Didactic technology should not dominate over the artworks they reference. Sexual orientation. Custom artist's placards and gallery name plates. Interviews with the participants, the... Meeting once again in the Europe Galleries on the 10th February, our esteemed guests were challenged with the task of flipping their perspective on the history of Europe, and... Join today and enjoy unlimited free entry to all V&A exhibitions, Members-only previews and more. It discusses how and why museums should use labels–those little tituli to the side–in order to engage with America’s history of slavery.The piece was inspired by a trip to the Worcester Art Museum (Worcester, MA) over the December holiday. Don't be Boring. Museum label for artist, Title of artwork, New York, 23 August 2004.-New School University, New York, New York b. This can be done in house and cut to sizes as needed. The Bell Museum of Natural History The Assistant Editor is then responsible for editing the final version of the text. Metropolitan Museum of art.

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