Series

  Along with other new lines and collections that will soon be available, Peterson has just announced a mid-grade set, the Trom Dubh (which in Irish means “chubby black”). Where to begin? The first connection between the shapes, as the name indicates, is in the "chubby," but it's really a heavy, and by that I don’t mean grams or ounces. It’s a visual heavy, a roundness in the hand, a muscular, massive sense of proportion, like the basalt columns from Giant’s Causeway Peterson chose for the digital strut card pictured above. Irish shapes have always been heavy-metal rebels when set against their English counterparts, analogous in the world of rock music to bands like Meshuggah, who not only play six and seven-string basses, but down-tune for a giant effect. The heavy metal analogy works in the second part of the name as well—the dubh, a black-on-black, with just that touch of silver in the hot foil P on the mouthpiece. The retro P-Lip, now in acrylic, just makes them that much tougher. Taken as a whole, the Trom Dubh collection represents a great juxtaposition of historic shapes and the new design aesthetic we’ve seen in the recent past. I’d probably nickname it the “P-Lip Fat Classics.”   As for the shapes: THE B.C. is the oldest bowl shape of the quartet still in production, and is a favorite among estate collectors, where it is found as the 9BC, the BC designation indicating a tapered (B) short (C) stem. It originated in the 1896 catalog as shape 9, and most Kappnists* have at least one of these in their rotation in its various permutations—the XL90 Classic Range or 307 Standard or 9S DeLuxe System being the most commonly seen these days. The 9BC came to prominence in the US in the 1950s and seems to have been a special favorite of Rogers Imports Ltd., as most of them are found in the old Rogers Imports Shamrock line. THE BULL is the gem of the collection, being the original John Bull or 999 shape, a bullmoose which was first cut in the late 1930s or early 1940s. It was in production until the late 1970s, when it was phased out by what was originally called the 998, today’s 999, the little slipper rhodesian that is one of Peterson’s top sellers. Like the B.C., it's an especial favorite among collectors, and given the popularity of the larger Savinelli 320 author shape (the difference between a bullmoose and an author being that bead around the crown), chances are it will be a solid hit for Peterson. THE BALL is a shape that was introduced with several other now-classic shapes in the late 1970s as the 02 DeLuxe System, 302 System, or (as it is here) the slightly-larger XL02 in the Classic Range. With the tapered P-Lip, it is solid in the hand and has always looked to me like the “P” in the Peterson logo brought to life in a pipe. Part of the…